
Received April, 11 2021 / Approved July, 20 2021 Pages: 60-78
eISSN: 2600-5743
Centro Sur Vol. 5 No. 4 - October - December
which movable and immovable assets such as architecture,
archaeological sites, works of art, manuscripts, books and other
objects of artistic, historical or archaeological interest are mixed, as
well as scientific collections of all kinds, assets of ethnological value,
technical documentary or of any other cultural nature regardless of
their origin or owner. (Diaz, 2012, p.125)
The PCU is not exhausted in the purely historical, artistic or material,
also its intangible heritage has been the result of the creative activities
of the university community, cultural traditions, sports, religious and
today are preserved with the responsible use of the historical memory
that houses the university in every corner. Within this intangible
heritage, the documentary support constitutes a legacy for humanity,
and its protection, dissemination and enrichment depends on
everyone. (Dorado & Hernández, 2015)
Universities as model centers of education through their libraries or
information centers have the unavoidable mission of sensitizing and
raising awareness among the university community and the rest of
society about the protection of their cultural heritage. However, at
present, the functions of university libraries need to be updated in
accordance with the trends and needs that contemporary heritage
demands, so that they can develop sensitive experiences,
communication strategies and educational alliances that empower the
communities and the surrounding population.
In the midst of all these expressions of heritage, one aspect is vital
today, we refer to the preservation of historical documentation in the
university environment, mostly reduced to remain in their archival
institutions, libraries and offices. This heritage is complex, and its
degrees of conservation vary according to the management
implemented by the higher education institutions, the knowledge of
the personnel designated for these functions, the investment in
technology or materials for these purposes and the will of preservation
existing in the authorities.
Foster (1995) goes deeper into these issues by proposing the
composition of the documentary heritage in those informative
elements and documents that are carriers of transcendental data for
the current development of the academic, pedagogical and research
purposes of the university; as well as those that contemplate in their
content some transcendental fact; describe a proven, authentic and
reliable relationship that is part of those events that have had a direct